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Saturday, May 31, 2008

Bruce Springsteen Remembers Danny Federici

While we don't want to make it a practice to post memorials to musicians and others, we're making an exception for Bruce Springsteen's must-read eulogy for Danny Federici, which Bruce delivered at Danny's funeral on April 21, 2008 in Red Bank, New Jersey:

FAREWELL TO DANNY

Let me start with the stories.

Back in the days of miracles, the frontier days when "Mad Dog" Lopez and his temper struck fear into the band, small club owners, innocent civilians and all women, children and small animals.

Back in the days when you could still sign your life away on the hood of a parked car in New York City.

Back shortly after a young red-headed accordionist struck gold on the Ted Mack Amateur Hour and he and his mama were sent to Switzerland to show them how it's really done.

Back before beach bums were featured on the cover of Time magazine.

I'm talking about back when the E Street Band was a communist organization! My pal, quiet, shy Dan Federici, was a one-man creator of some of the hairiest circumstances of our 40 year career... And that wasn't easy to do. He had "Mad Dog" Lopez to compete with... Danny just outlasted him.

Maybe it was the "police riot" in Middletown, New Jersey. A show we were doing to raise bail money for "Mad Dog" Lopez who was in jail in Richmond, Virginia, for having an altercation with police officers who we'd aggravated by playing too long. Danny allegedly knocked over our huge Marshall stacks on some of Middletown's finest who had rushed the stage because we broke the law by...playing too long.

As I stood there watching, several police officers crawled out from underneath the speaker cabinets and rushed away to seek medical attention. Another nice young officer stood in front of me onstage waving his nightstick, poking and calling me nasty names. I looked over to see Danny with a beefy police officer pulling on one arm while Flo Federici, his first wife, pulled on the other, assisting her man in resisting arrest.

A kid leapt from the audience onto the stage, momentarily distracting the beefy officer with the insults of the day. Forever thereafter, "Phantom" Dan Federici slipped into the crowd and disappeared.

A warrant out for his arrest and one month on the lam later, he still hadn't been brought to justice. We hid him in various places but now we had a problem. We had a show coming at Monmouth College. We needed the money and we had to do the gig. We tried a replacement but it didn't work out. So Danny, to all of our admiration, stepped up and said he'd risk his freedom, take the chance and play.

Show night. 2,000 screaming fans in the Monmouth College gym. We had it worked out so Danny would not appear onstage until the moment we started playing. We figured the police who were there to arrest him wouldn't do so onstage during the show and risk starting another riot.

Let me set the scene for you. Danny is hiding, hunkered down in the backseat of a car in the parking lot. At five minutes to eight, our scheduled start time, I go out to whisk him in. I tap on the window.

"Danny, come on, it's time."

I hear back, "I'm not going."

Me: "What do you mean you're not going?"

Danny: "The cops are on the roof of the gym. I've seen them and they're going to nail me the minute I step out of this car."

As I open the door, I realize that Danny has been smoking a little something and had grown rather paranoid. I said, "Dan, there are no cops on the roof."

He says, "Yes, I saw them, I tell you. I'm not coming in."

So I used a procedure I'd call on often over the next forty years in dealing with my old pal's concerns. I threatened him...and cajoled. Finally, out he came. Across the parking lot and into the gym we swept for a rapturous concert during which we laughed like thieves at our excellent dodge of the local cops.

At the end of the evening, during the last song, I pulled the entire crowd up onto the stage and Danny slipped into the audience and out the front door. Once again, "Phantom" Dan had made his exit. (I still get the occasional card from the old Chief of Police of Middletown wishing us well. Our histories are forever intertwined.) And that, my friends, was only the beginning.

There was the time Danny quit the band during a rough period at Max's Kansas City, explaining to me that he was leaving to fix televisions. I asked him to think about that and come back later.

Or Danny, in the band rental car, bouncing off several parked cars after a night of entertainment, smashing out the windshield with his head but saved from severe injury by the huge hard cowboy hat he bought in Texas on our last Western swing.

Or Danny, leaving a large marijuana plant on the front seat of his car in a tow away zone. The car was promptly towed. He said, "Bruce, I'm going to go down and report that it was stolen." I said, "I'm not sure that's a good idea."

Down he went and straight into the slammer without passing go.

Or Danny, the only member of the E Street Band to be physically thrown out of the Stone Pony. Considering all the money we made them, that wasn't easy to do.

Or Danny receiving and surviving a "cautionary assault" from an enraged but restrained "Big Man" Clarence Clemons while they were living together and Danny finally drove the "Big Man" over the big top.

Or Danny assisting me in removing my foot from his stereo speaker after being the only band member ever to drive me into a violent rage.

And through it all, Danny played his beautiful, soulful B3 organ for me and our love grew. And continued to grow. Life is funny like that. He was my homeboy, and great, and for that you make considerations... And he was much more tolerant of my failures than I was of his.

When Danny wasn't causing chaos, he was a sweet, talented, unassuming, unpretentious good-hearted guy who simply had an unchecked ability to make good fortune and things in general go fabulously wrong.

But beyond all of that, he also had a mountain of the right stuff. He had the heart and soul of an engineer. He learned to fly. He was always up on the latest technology and would explain it to you patiently and in enormous detail. He was always "souping" something up, his car, his stereo, his B3. When Patti joined the band, he was the most welcoming, thoughtful, kindest friend to the first woman entering our "boys club."

He loved his kids, always bragging about Jason, Harley, and Madison, and he loved his wife Maya for the new things she brought into his life.

And then there was his artistry. He was the most intuitive player I've ever seen. His style was slippery and fluid, drawn to the spaces the other musicians in the E Street Band left. He wasn't an assertive player, he was a complementary player. A true accompanist. He naturally supplied the glue that bound the band's sound together. In doing so, he created for himself a very specific style. When you hear Dan Federici, you don't hear a blanket of sound, you hear a riff, packed with energy, flying above everything else for a few moments and then gone back in the track. "Phantom" Dan Federici. Now you hear him, now you don't.

Offstage, Danny couldn't recite a lyric or a chord progression for one of my songs. Onstage, his ears opened up. He listened, he felt, he played, finding the perfect hole and placement for a chord or a flurry of notes. This style created a tremendous feeling of spontaneity in our ensemble playing.

In the studio, if I wanted to loosen up the track we were recording, I'd put Danny on it and not tell him what to play. I'd just set him loose. He brought with him the sound of the carnival, the amusements, the boardwalk, the beach, the geography of our youth and the heart and soul of the birthplace of the E Street Band.

Then we grew up. Very slowly. We stood together through a lot of trials and tribulations. Danny's response to a mistake on stage, hard times, catastrophic events was usually a shrug and a smile. Sort of an "I am but one man in a raging sea, but I'm still afloat. And we're all still here."

I watched Danny fight and conquer some tough addictions. I watched him struggle to put his life together and in the last decade when the band reunited, thrive on sitting in his seat behind that big B3, filled with life and, yes, a new maturity, passion for his job, his family and his home in the brother and sisterhood of our band.

Finally, I watched him fight his cancer without complaint and with great courage and spirit. When I asked him how things looked, he just said, "what are you going to do? I'm looking forward to tomorrow." Danny, the sunny side up fatalist. He never gave up right to the end.

A few weeks back we ended up on stage in Indianapolis for what would be the last time. Before we went on I asked him what he wanted to play and he said, "Sandy." He wanted to strap on the accordion and revisit the boardwalk of our youth during the summer nights when we'd walk along the boards with all the time in the world.

So what if we just smashed into three parked cars, it's a beautiful night! So what if we're on the lam from the entire Middletown police department, let's go take a swim! He wanted to play once more the song that is of course about the end of something wonderful and the beginning of something unknown and new.

Let's go back to the days of miracles. Pete Townshend said, "a rock and roll band is a crazy thing. You meet some people when you're a kid and unlike any other occupation in the whole world, you're stuck with them your whole life no matter who they are or what crazy things they do."

If we didn't play together, the E Street Band at this point would probably not know one another. We wouldn't be in this room together. But we do... We do play together. And every night at 8 p.m., we walk out on stage together and that, my friends, is a place where miracles occur...old and new miracles. And those you are with, in the presence of miracles, you never forget. Life does not separate you. Death does not separate you. Those you are with who create miracles for you, like Danny did for me every night, you are honored to be amongst.

Of course we all grow up and we know "it's only rock and roll"...but it's not. After a lifetime of watching a man perform his miracle for you, night after night, it feels an awful lot like love.

So today, making another one of his mysterious exits, we say farewell to Danny, "Phantom" Dan, Federici. Father, husband, my brother, my friend, my mystery, my thorn, my rose, my keyboard player, my miracle man and lifelong member in good standing of the house rockin', pants droppin', earth shockin', hard rockin', booty shakin', love makin', heart breakin', soul cryin'... and, yes, death defyin' legendary E Street Band.

TheRadioStation's Favorite New Release in May: Sonny Landreth's "From The Reach"

This month's pleasant surprise has been the latest release from Louisiana slide guitarist extraordinaire Sonny Landreth, "From The Reach". The CD features guest appearances from some noteworthy friends including Eric Clapton, Robben Ford, Eric Johnson, Vince Gill and Mark Knopfler (sounding more like the Dire Straits guitarist we remember than he has in quite some time).

The music is all-original roots rock tinged with some blues and New Orleans soul. Landreth says he wrote the songs specifically for each artist in hopes of "catching their vibe and their magic".

This is Landreth's first disc on his own imprint, Landfall Records. "From The Reach" can be purchased on Sonny's web site, and electronically from iTunes and other digital media outlets.

Monday, May 5, 2008

Having Trouble Listening?

Well, you live and you learn!

By far, the most frequent comment about TheRadioStation.org we've received is:

"
Looks great...how do I listen???"

So much for our best laid plans!

To hear the audio stream, you'll need to download the free version of Real Player, Winamp or you can use iTunes. It seems Windows Media Player isn't playing nice with our streaming audio, even though it's supposed to.

We recommend Winamp. It's the smaller program, seems a bit more reliable, and has a built in equalizer (in case you're into tweaking things, or are listening quietly at your desk and need to boost the bass a bit).

Download and install your choice of software above (make sure you go for the free version, not the trial versions of the bloated version they charge for). Then go back to TheRadioStation.org and click on "Click here to listen" again. It should ask you which program you wish to use, with the one you installed as the default (or it will just start up). If not, select the software you installed (Winamp or Real Player/RealOne) from the choices displayed.

To use iTunes:
Go to "Tools" -> "Open Stream"
Cut & paste in: http://tinos.broadstreamer.com:7300/listen.pls. Click OK and the music stream will start. To re-start later, look for TheRadioStation.org in your music library listed as a song name with an antenna symbol next to it.

If none of this works, please let us know and we'll be glad to help. We're gonna make this easy even if it kills us!

Saturday, May 3, 2008

We're finally streaming!

We are now officially on-line and streaming! We kinda snuck on-line May 1st and worked some of the bugs out. Now we're good to go. Give it a listen and feel free to leave your comments here or e-mail 'em to us.

Thursday, April 17, 2008

WNEW Lives!...sort of

The defunct legendary New York rock station WNEW-FM marked its return on-air (102.7 HD 2 in New York) and online (www.wnew.com) this past Monday.

WNEW.com's web site says the station has been "reborn" for the passionate rock music fan in the spirit of WNEW-FM's commitment to exposing the best new artists. They explain they will feature recordings from the dawn of the album era in the late 60s and early 70s through today, as well as music from the most promising emerging artists yet to be discovered by the masses. Radiohead, Arcade Fire, Spoon, and Vampire Weekend will be among those featured along with the likes of REM, Foo Fighters, The White Stripes, Rolling Stones and Pink Floyd.

In addition, thousands of hours of archival interviews by former WNEW-FM hosts Scott Muni, Dave Herman, and Richard Neer, among others, with such artists as John Lennon, The Who, Stevie Wonder and David Bowie are being integrated hourly throughout the station's on-air and online programming. Also finding a home on WNEW.com's lineup will be exclusive live performances from artists who contributed to the station's storied history.

At the helm of this project is Norm Winer, CBS Radio Vice President of Adult Rock Programming, and, for more than 25 years, the Program Director of the landmark WXRT in Chicago. Norm is a self-described music fan and radio geek who grew up in Brooklyn listening to the original WNEW-FM.

When asked about WNEW.com recently, former WNEW-FM Program Director and long-time air personality Richard Neer said he hadn't seen it, had not been consulted, and he'd leave it at that.


Wednesday, March 12, 2008

Preparing To Launch...Soon

The staff of TheRadioStation.org is busy preparing to launch our internet radio station soon.

What is TheRadioStation.org? Well, if you're tired of FM rock stations playing the same songs over and over again...this is the place for you!

We'll play songs you haven't heard in ages, some you'll know well, and others you may never have heard at all.

What you won't hear, are the same tired, focus group-tested tunes you're so tired of you could scream!

TheRadioStation.org...the place where rock still lives!